Broadway has recently witnessed what can only be termed a renaissance, achieving an unprecedented box office revenue for a non-holiday week. The week ending April 20 showcased a staggering total of $50,874,940 across just 40 shows—a remarkable increase of 47% compared to the same week last year. This surge is not merely statistical; it reflects
Box Office
Warner Bros. has orchestrated a cinematic milestone with “Sinners,” becoming the first horror film ever to secure an A CinemaScore from viewers since the rating system’s inception. This is not just an achievement; it’s a game changer for a genre that traditionally garners lukewarm responses from audiences. The majority of horror films usually dance around
Warner Bros.’ ambitious vampire film, *Sinners*, has made a notable entrance into the cinematic arena, raking in over $4.7 million during its Thursday sneak previews, which commenced at 3 PM. This opening is a promising indication of the film’s potential, particularly with an impressive 5-star rating on PostTrak and an 80% recommendation rate. Such figures
Qasim Basir’s upcoming film, *To Live and Die and Live*, stands as a passionate tribute not just to the city of Detroit but to the human spirit’s resilience in the face of adversity. With a theatrical release slated for May 16 at AMC multiplexes, and digital distribution handled by Samuel Goldwyn Films later this year,
As the cinematic landscape continues to evolve, Warner Bros’ ambitious venture, *Sinners*, emerges from the shadows with a significant $90 million investment—a bold gamble that its creators hope will reap rewards at the box office. With a projected opening weekend potential exceeding $40 million in the U.S. and Canada, *Sinners* rides a wave of anticipation
In a remarkable testament to the power of collective bargaining and workers’ rights, employees of two Alamo Drafthouse cinemas in New York City ended a 58-day strike with significant wins, marking an important moment in labor history. The workers, represented by the union group NYC Alamo United and affiliated with the United Auto Workers (UAW),
In a significant shift within the world of theatrical distribution, Andrew Carlin, a well-respected figure in the industry, has taken on a new role at Variance Films as the co-head of theatrical distribution alongside Ryan Markowitz, a notable consultant now transitioning into an in-house position. This move not only reflects a strategic alignment within Variance
As the film industry navigates the complexities of audience preferences and marketing strategies, the box office continues to witness exhilarating dynamics. Recent reports from Thursday previews provide a glimpse into how different films are capturing the interest of moviegoers and how potential revenue figures are shaping expectations for upcoming weekends. Warner Bros./Legendary’s adaptation of the
In an inspiring turn of events for the animation industry, Angel Studios’ latest family film, “The King of Kings,” has secured an impressive $14.6 million in pre-sales, positioning itself to potentially surpass DreamWorks Animation’s “The Prince of Egypt,” which previously held the record with $14.5 million. This accomplishment reflects not only strong consumer interest but
The summer movie season is upon us, and with it comes an exciting roster of anticipated blockbusters that promise to draw audiences back to theaters. At the forefront is Disney and Marvel’s *Thunderbolts*, which, despite projections of a modest $70 million opening, is already stirring conversations within the cinematic community. Many industry experts are eyeing