As Hurricane Helene approaches Florida, the stakes for local businesses—including cinemas—skyrocket. The wrath of Helene, projected to make landfall as a ferocious Category 4 hurricane with sustained winds of 130 mph, has prompted the closure of nearly 40 multiplexes across the state. From Fort Myers in the south to Tallahassee in the north, theaters are
Box Office
In a year driven by blockbuster hits, “Deadpool & Wolverine” has emerged as the second highest grossing film, a testament to the indelible mark Marvel Studios continues to leave on the cinematic landscape. As excitement builds for its digital and physical release, fans and critics alike are anticipating the unique features that will accompany this
As the year draws to a close, A24 has positioned itself to captivate audiences with two significant theatrical releases that emerged from prestigious film festivals. The films, titled *Queer* and *The Brutalist*, are set to grace theaters in Q4, promising unique narratives and artistic expression to end the year on a high note. The industry
The weekend box office yielded a fascinating tableau for indie films, showcasing a diverse range of narratives and artistic expressions. As spectators migrate towards eclectic choices beyond mainstream cinema, several noteworthy releases and continuations demonstrate the strength and resilience of independent filmmaking. Let’s delve deeper into the recent trends, highlights, and nuances that defined the
The cinematic landscape has once again begun to transform, quite literally, as the animation genre gains momentum with the release of *Transformers One*. After nearly four decades, this entry into the beloved Transformers franchise has generated considerable buzz, grossing $3.36 million from advance fan shows and previews. This impressive figure signifies not only a strong
Walt Disney Animation Studios finds itself at a pivotal juncture as they prepare to unleash sequels to one of their most lucrative franchises, Frozen, which amassed an astounding $1.75 billion in global box office sales. The transition of leadership signals not just a shift in personnel but lays the groundwork for an evolution of storytelling
The latest figures from Broadway have revealed a notable resurgence in the theater scene, as evidenced by a 7% increase in overall box office receipts last week. This encouraging trend has been fueled by a range of new productions that have captured the attention of audiences, contributing to a bustling atmosphere in the theater district.
Paramount Pictures is on the verge of unleashing a significant cinematic experience with its limited theatrical release of “September 5” scheduled for November 27. Directed by Tim Fehlbaum, this gripping thriller has already garnered applause at prestigious venues like the Venice and Telluride film festivals, positioning itself as a major contender in the awards circuit.
This past weekend offered a fascinating glimpse into the evolving landscape of cinema, particularly regarding conservative and faith-oriented films. Evidencing a growing market, two distinct entries made significant impacts at the domestic box office. Notably, the documentary *Am I Racist?*, the first theatrical venture from Jeremy Boreing and Ben Shapiro’s The Daily Wire, debuted at
In the realm of cinema, specific dates hold particular significance for studios when it comes to releasing new films. A poignant example is Friday the 13th, a day that horror enthusiasts approach with anticipation and studios often seize as an opportunity to debut genre films. This weekend, the spotlight is on “Speak No Evil,” a