As Martin Luther King Jr. weekend approaches, the box office landscape is shaping up to be somewhat uneventful. Historical data suggests that the opening weekend for films during this holiday typically hovers around the $33 million mark for a four-day period, but this year’s expectations paint a more subdued picture. With only the R-rated comedy
Box Office
The anticipated romantic thriller “When I’m Ready” has garnered significant attention following Quiver Distribution’s recent acquisition of its North American distribution rights. Set against the backdrop of an impending extinction event, the film blends elements of love, adventure, and existential reflection. Scheduled for theatrical release on February 7, 2025, with a subsequent digital debut on
2024 has marked a significant year for French cinema on the global stage, revealing substantial challenges that the industry faces despite a generally thriving domestic box office. According to Unifrance, the organization responsible for promoting French films internationally, data indicates a decline of 11% in international admissions for French films compared to the previous year.
As 2025 approaches, the excitement surrounding the release of Disney/Marvel Studios’ latest entry in the Captain America franchise, titled *Captain America: Brave New World*, is reaching new heights. With its theatrical debut set for February 14, just in time for the Valentine’s Day and Presidents Day weekend, projections indicate that the film is expected to
Sean Baker stands out in the contemporary film landscape as a bastion of traditional filmmaking, vehemently advocating for the preservation of celluloid in an era dominated by digital media. His conviction is rooted deeply in the belief that cinema’s essence is intertwined with the physical medium that birthed it. In a recent discussion, Baker articulated
With a promising debut, Lionsgate’s “Den of Thieves 2: Pantera” generated $1.35 million during its Thursday previews, starting at 6 PM. Notably, this figure is a commendable 42% increase over the $950,000 previews grossed by its predecessor in 2018. Nevertheless, it must contend with the performance of similar films released in the competitive January landscape.
The release of *Wicked*, the cinematic adaptation of the renowned Broadway musical, has redefined the landscape for films showcasing a theatrical heritage. Following its arrival on Premium Video on Demand (PVOD) on December 31, the film achieved an astonishing $70 million in its first week alone, as reported by Universal Pictures. This remarkable figure highlights
The Pacific Palisades wildfire has struck a significant blow to the entertainment industry in Los Angeles, the leading hub for cinema in the United States. With a landscape heavily dotted with theaters, approximately ten cinemas have ceased operations due to safety concerns stemming from the encroaching flames. Notable casualties include well-frequented venues such as the
In a significant move to strengthen its foothold in the independent film distribution landscape, Mubi has appointed Arianna Bocco as its Senior Vice President of Global Distribution. This announcement comes on the heels of a major success with “The Substance,” a film headlined by Demi Moore, which secured a Golden Globe win and grossed close
Jon M. Chu’s spirited acceptance of the Golden Globe for Cinematic and Box Office Achievement for his film adaptation of “Wicked” marks a pivotal moment not just for the filmmaker but also for the broader landscape of contemporary cinema. With his heartfelt words, Chu articulated the essence of creativity as a beacon of hope amid